Defacto Oppression – Screen Symphony Suicide

Screen Symphony Suicide by Defacto Oppression is a venture into the neocrust genre that showcases both the band’s potential and the challenges of standing out amidst some excellent bands in the scene. With a total runtime of 22 minutes spread over seven tracks, the album is a brief but earnest attempt at melding the intensity of old-school hardcore with the nuances of metal, a common endeavor in the modern hardcore scene.

The band’s effort to blend genres is notable, especially in a scene that often favors purist approaches. The metal elements, though not always seamlessly integrated, provide a contrast that adds a layer of complexity to the album’s rough production.

A significant portion of the album—perhaps a solid third—is dedicated to the final track, an ambitious, semi-atmospheric piece. This track is a bold departure from the typical hardcore format and demonstrates the band’s willingness to experiment and push boundaries. While it might not fully realize its potential, it’s a clear sign of Defacto Oppression’s aspirations to diversify their sound and explore new territories. Vocally, the album draws inspiration from the ‘Holy Terror’ style of of Dwid from Integrity, aiming for a similar level of intensity and metallic flavour. The lyrics add a thoughtful dimension to the album, exploring personal, social, and environmental issues. Though sometimes not as prominent as they could be, they contribute to the overall narrative and thematic depth of the work.

Screen Symphony Suicide is a sincere effort from the Wisconsin band to make their mark in a scene that has been shaped by bands like Tragedy, From Ashes Rise, and His Hero Is Gone. While the album may not break new ground, it’s a sign of commitment to their craft and their willingness to create something interesting. For fans of neocrust looking for an earnest and energetic take on the tropes, this album is certainly worth exploring.